How do I notate a staccato on a unison note?












17














If there is a stem on either side of a note, or the stems are DOWN below ledger lines, where does the dot indicating staccato go?










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    17














    If there is a stem on either side of a note, or the stems are DOWN below ledger lines, where does the dot indicating staccato go?










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      17












      17








      17







      If there is a stem on either side of a note, or the stems are DOWN below ledger lines, where does the dot indicating staccato go?










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      If there is a stem on either side of a note, or the stems are DOWN below ledger lines, where does the dot indicating staccato go?







      notation engraving






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      edited 2 days ago









      Richard

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      WendyWendy

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          2 Answers
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          On single-stem pitches, the rule is always the same: the staccato goes on the side of the notehead that is opposite the stem.



          But when multiple voices are in play, the convention is typically to put the staccato pitch at the end of the stem, even if there's enough space to place it by the notehead. This means that, in multiple voices, the up-stem pitch will have a staccato above the pitch and the down-step pitch will have it below the pitch.



          Note that in the first measure the staccato is centered with the notehead, but in the second measure the staccato is centered with the note stem.



          enter image description here






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            5














            The convention in these cases is to put the staccato dot above/below the stem of the note in question. I admit that it looks a little strange to have the dot so far away from the notehead, but that's how I've seen it done.






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              2 Answers
              2






              active

              oldest

              votes








              2 Answers
              2






              active

              oldest

              votes









              active

              oldest

              votes






              active

              oldest

              votes









              25














              On single-stem pitches, the rule is always the same: the staccato goes on the side of the notehead that is opposite the stem.



              But when multiple voices are in play, the convention is typically to put the staccato pitch at the end of the stem, even if there's enough space to place it by the notehead. This means that, in multiple voices, the up-stem pitch will have a staccato above the pitch and the down-step pitch will have it below the pitch.



              Note that in the first measure the staccato is centered with the notehead, but in the second measure the staccato is centered with the note stem.



              enter image description here






              share|improve this answer




























                25














                On single-stem pitches, the rule is always the same: the staccato goes on the side of the notehead that is opposite the stem.



                But when multiple voices are in play, the convention is typically to put the staccato pitch at the end of the stem, even if there's enough space to place it by the notehead. This means that, in multiple voices, the up-stem pitch will have a staccato above the pitch and the down-step pitch will have it below the pitch.



                Note that in the first measure the staccato is centered with the notehead, but in the second measure the staccato is centered with the note stem.



                enter image description here






                share|improve this answer


























                  25












                  25








                  25






                  On single-stem pitches, the rule is always the same: the staccato goes on the side of the notehead that is opposite the stem.



                  But when multiple voices are in play, the convention is typically to put the staccato pitch at the end of the stem, even if there's enough space to place it by the notehead. This means that, in multiple voices, the up-stem pitch will have a staccato above the pitch and the down-step pitch will have it below the pitch.



                  Note that in the first measure the staccato is centered with the notehead, but in the second measure the staccato is centered with the note stem.



                  enter image description here






                  share|improve this answer














                  On single-stem pitches, the rule is always the same: the staccato goes on the side of the notehead that is opposite the stem.



                  But when multiple voices are in play, the convention is typically to put the staccato pitch at the end of the stem, even if there's enough space to place it by the notehead. This means that, in multiple voices, the up-stem pitch will have a staccato above the pitch and the down-step pitch will have it below the pitch.



                  Note that in the first measure the staccato is centered with the notehead, but in the second measure the staccato is centered with the note stem.



                  enter image description here







                  share|improve this answer














                  share|improve this answer



                  share|improve this answer








                  edited 2 days ago

























                  answered 2 days ago









                  RichardRichard

                  38.3k686163




                  38.3k686163























                      5














                      The convention in these cases is to put the staccato dot above/below the stem of the note in question. I admit that it looks a little strange to have the dot so far away from the notehead, but that's how I've seen it done.






                      share|improve this answer




























                        5














                        The convention in these cases is to put the staccato dot above/below the stem of the note in question. I admit that it looks a little strange to have the dot so far away from the notehead, but that's how I've seen it done.






                        share|improve this answer


























                          5












                          5








                          5






                          The convention in these cases is to put the staccato dot above/below the stem of the note in question. I admit that it looks a little strange to have the dot so far away from the notehead, but that's how I've seen it done.






                          share|improve this answer














                          The convention in these cases is to put the staccato dot above/below the stem of the note in question. I admit that it looks a little strange to have the dot so far away from the notehead, but that's how I've seen it done.







                          share|improve this answer














                          share|improve this answer



                          share|improve this answer








                          edited 2 days ago

























                          answered 2 days ago









                          PeterPeter

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                          1,406214






















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